While Viola says she hates violence and prefers peace, Sebastian readily strikes Sir Andrew. In this instance, Viola flatters Olivia of her own accord. Even once everything is revealed, Orsino continues to address Viola by her male name.
Likewise, her brother Sebastian finds it necessary to become someone else mentally to marry Olivia. Antonio is in a more difficult situation, as social norms do not allow for the gratification of his apparently sexual attraction to Sebastian.
She interprets his quotations from the letter as simple insanity: The disguises, secret identities, and crossed lines of communication lead to humorous circumstances, but they also tinge the action with hints of insanity and tragedy.
Sebastian even severely hurts both Sir Andrew and Sir Toby a second time in the final act. The feast of Twelfth Night, from which the play takes its name, was a time when social hierarchies were turned upside down.
Many of the characters seem to view love as a kind of curse, a feeling that attacks its victims suddenly and disruptively. Contact Author Malvolio courts a bemused Olivia, while Maria covers her amusement, in an engraving by R.
This situation creates a sexual mess: A comedy like Twelfth Night ends, inevitably, with marriages—but there is no one for Antonio to marry, since he loves only Sebastian.
His earlier egotism and self-regard has become pure, self-centered delusion, in which everything that happens can be interpreted as being favorable to him. The leading woman in Twelfth Night Viola, or her male counterpart Cesario, finds it necessary to become a male to support herself.
Despite the fact that the play offers a happy ending, in which the various lovers find one another and achieve wedded bliss, Shakespeare shows that love can cause pain. But Malvolio, cut off from reality, willfully ignores these signs that all may not be as he thinks. At the end of the play, as the happy lovers rejoice, both Malvolio and Antonio are prevented from having the objects of their desire.
Various characters claim to suffer painfully from being in love, or, rather, from the pangs of unrequited love. Viola illustrates this point by discussing the illusion of appearances in the very first scene in which we meet her. There is a clear homoerotic subtext here: In Act 1, Scene 2, Viola reflects on the fact that the character of the sea captain who rescued her is just as "fair," or good and noble, as his looks are fair, as apparently he is a rather handsome man.
Olivia, of course, is bewildered by the change in her normally somber steward, and his apparently illogical responses to her questions make her assume, naturally enough, that he must be out of his mind. Because he thinks that he shares a secret understanding with Olivia, Malvolio expects her to understand the bizarre things he does and says.
That same spirit is alive in Illyria: Their switched roles take a toll on each other because their identities have been switched. Instead, he becomes annoyed by Feste, even calling him a "foolish fellow" to which Feste retorts that Sebastian "will prove a cockney," meaning "clueless person" eNotes, IV.
Their struggle to come to terms with their true selves exemplifies how people hide their true identity, even when their true identity is the complete opposite.
There is a fair behavior in thee, captain; And though that nature with a beauteous wall Doth oft close in pollution, yet of thee I will believe thou hast a mind that suits With this thy fair and outward character.
It is here that we begin to feel pity for Malvolio. Why does Viola feel the need to drastically change her female identity? Works Cited Lindheim, Nancy. They exchange witty retorts, and she remarks about how good Feste is at his job as a fool.Twelfth Night, or What You Will / Analysis ; Critics like to say that Twelfth Night is one of Shakespeare's most poetical and musical plays.
What the heck does that mean? You might have guessed that Twelfth Night, or What You Will (William Shakespeare's only play with an alternate title) has something to do with the popular song "The.
Identity Crisis in Shakespeare's "Twelfth Night" Updated on February 22, morningstar their tactics raise the question of who their true identities really are. Why does Viola feel the need to drastically change her female identity?
Viola in William Shakespeare's "Twelfth Night" by Monami 0. Performing Arts. The Theme of Madness. A summary of Themes in William Shakespeare's Twelfth Night.
Learn exactly what happened in this chapter, scene, or section of Twelfth Night and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Twelfth Night study guide contains a biography of William Shakespeare, literature essays, a complete e-text, quiz questions, major themes, characters, and.
Get an answer for 'How does Shakespeare use mistaken identities in Twelfth Night?' and find homework help for other Twelfth Night questions at eNotes.
Night Lesson Plans; William Shakespeare. William Shakespeare, in his well-known comedy Twelfth Night, creates a plot that revolves around mistaken identity and deception.
Essay on The Factors of Mistaken Identities in Shakespeare's Twelfth Night A close analysis of Twelfth Night.Download